Showing posts with label PRESS AND INTERVIEW. Show all posts
Showing posts with label PRESS AND INTERVIEW. Show all posts

Sunday, July 19, 2020

“I am an Artist, I talk Art”

“I am an Artist, I talk Art”
19th July 2020
Being interview, videoing and sitting in-front of a few cameras made me nervous and not able to talk properly. MY GOSH!!!! It took me a long while to accept the way I look and how I speak .
I would prefer to be at the back stage actually, but I also understand that I must learn to talk and share more about what I am doing as an artist and my involvement with the charity art project Colors of Cambodia ~ “art will safe the world”! My heartfelt thanks to April Chin , Andy Chow, Yuen James, Irene Wan, and Rekha Menon , for their dedication in the collaborationist “I am Artist, I talk Art”.

And, and and.... thousands times of thank you for the precious time, efforts, guidance and patience given to me throughout the whole interview sessions. I am grateful for the platform and promoting via this wonderful ways. So, here I am, presenting you a short video of me, interview by Andy Chow from Malaysia Advance Photographer Group (MAPG).
Enjoy .... and then oh.....Please LIKE, SHARE, SUBCRIBE the YouTube to help spreading the good word and love of arts.

Thursday, February 13, 2014

简单快乐



Didi Ang问我你快乐吗? 我想也不想就回答,很快乐! 但在Didi离开了之后,我思考了这问题好几天。 然后,很肯定的回答自己,我真的很快乐! 但是,为什么我会这么快乐呢? 我想到孩子的爸爸, 从我俩相恋到相处不来的日子,到离婚时对大家的怨恨, 至今天可以心平气和的交谈。 这一路走来,我们慢慢的学会了宽恕和放下。当把过去逐步的放下时,开始发现因为怨恨,我们忽略了就在身边的幸福和快乐。

想想这么多的快乐就在举手之间,哪里可以让人生只是充满悲伤呢?


因为孩子的 ~ 爸,我上了一堂曾经以为很幸苦和难过的课。但九年后的今天,再次的想起这些往事,心底怨恨不在了,只有感恩。很感谢他和我一起修这一生的功课。 孩子的爸!深深的祝福 ~ 愿你快乐!




果醒法师说:“要追求真正的快乐,首先要分析———快乐是什么?”
快乐其实是一门深奥的课题,每个人都在追求快乐,但每个人快乐的标准都不同;一些人的快乐建立在富裕的物质上,觉得花了钱买来实物方值得快乐,有人却追求精神层面的快乐,但究竟什么是“真正的快乐”,谁也说不准。
但若问你:“你快乐吗?”……这道很简单却能让人深思良久的问题,你会怎么回答?
老实说,她是我碰过“最爱笑”的一个女人。
她那种“连旁人也能感染到她的快乐”的笑声,非常迷人,这样的她,难免让人怀疑她是个没经历过低潮的幸运儿吗?事实正好相反,她的“幸运”反而是在于:在她那不算走得很平坦的人生道路中,她遇到了很多教会她“快乐”的贵人。
从小就很爱绘画的她,17岁就跟着绘画老师在学校教画;虽然是很短暂的经验,但许棐杳不只学会了绘画的技巧,她还从老师身上学会了人生道理,所以她说:“这位老师算是我人生中,影响我很大的贵人之一”,她之后也延用了老师的教学方式,灌输学生正确的人生观念和道理,不局限于教导硬知识。
一直都从事教育工作、也不愿放弃绘画的她,在机缘巧合之下,还找到机会往柬埔寨义务教育当地小孩绘画;听起来很完美不是吗,何来不平坦的人生路?“既然已经结婚生子,你就别再出去画画了、留在家当全职妈妈吧,你那些画又不卖钱”,这是许棐杳永生难忘的一句话,而说这句话的不是别人……正是许棐杳孩子———爸。
绘画抒发情绪
她说:“我不能说他的观念是错,但对我来说,绘画是一种心灵的治疗。那时候我常跟孩子他爸吵架,心情很难受又不敢告诉家人,唯有透过绘画来抒发心情;当你花几个小时专注绘画时,不一定要注重技巧,想怎么画就怎么画,不失是一种释放压力的方式;所以我觉得,绘画对成人或小孩都好,是得到快乐的一条途径。”
而许棐杳与孩子他爸,最后也没有长相厮守,许棐杳说:“那段时期真的很黑暗,每天晚上回到家就哭,哭累了就睡,睡醒就继续强颜欢笑,生活再难过还是要过。”
佛法重寻快乐
差不多有半年的时间,她都忘了快乐是什么。直到朋友介绍她到佛堂教课,她才从佛法中重新找回快乐,她说:“佛法教我放下,只要你一天还学不会放下,心中就会一直带着‘恨’,恨别人的生活总过得比自己的好,到底是哪里出问题了呢?慢慢地,我才领悟到不是自己生活出问题,而是自己的心态根本没调整好啊!
所以要得到快乐,你就要学会‘放下’、并丢掉心中的‘恨’,就能学会不抱怨;虽然听起来很抽象很难办到,但当你真正去做了就会觉得,其实没有想象中难。用金钱买快乐很容易,但物质于我的快乐很短暂,只有心灵的快乐才能恒久。”而透过绘画,她终也找到了另一个快乐泉源,那就是她生命中的“Mr.Right”。
贫困并不苦
一趟柬埔寨之旅,许棐杳就领悟到了更简单,却更有深度的快乐。
她说:“其实教小孩绘画,本来就是一件很快乐的事情,你能从中感受到他们的纯真。柬埔寨的小孩让我领悟更深的是,现在很多小孩都被物质和科技化了,但他们不管生活或思想都更纯朴,从他们的画就能轻易看出来;房子是小朋友绘画的基本功,看惯了本地小孩画得花俏的房子,第一次看到柬埔寨小孩画的房子,有点不习惯。
画是一面镜子
“你会看到清一色‘方格屋身+三角屋顶’的极简线条房子,装饰就是两面方格窗户和一道长方门,我就在想他们的画怎会如此的空洞呢?而且几乎所有小孩都一样,当我深入去了解他们的思想和生活后,我才领悟到小朋友的画就是一面镜子,反映出来的正是他们平日的生活环境,他们居住的房子就真的长这个样子啊!
“我曾经是一个很爱抱怨的人,但亲眼看到柬埔寨人的生活,可谓贫困的他们也能活得很快乐,为什么我们反而就不行?是不是生活水准越高,要求就会越高?当我们追求的东西越多时,烦恼也会跟着增加,你就很难静下心来想,到底你所追求的东西,是不是你真正需要的?抑或只是盲目的追求?
常抱怨变渺小
“当然也不是说‘追求’就是不好的事,如果它已经对你造成某程度的困扰,而你又找不到正确的心态去面对它时,你就不会快乐……那又是何苦呢?
以前没机会出国,所以只能看到小圈子的小人小事,当时觉得自己是悲惨的人,但当我把柬埔寨的生活投映在自己的身上,才发现自己一直在抱怨的事,突然变得很渺小。
“这不是‘把自己的快乐,建筑在别人的痛苦上’的心态,只是透过他们的经历学会了感恩自己所拥有的一切,而不是什么大小事都要抱怨一番。少了抱怨,大家自然就能活得快乐一点,你说是吗?”



Sunday, November 6, 2011

Nan Yang, 2011

http://www.nanyang.com/node/394624?tid=493


对症下药 发掘潜能

  • 许棐杳时常鼓励学生把绘画技巧用在生活上,学画画不是玩玩的,一定要用心的学。

“艺术不仅着重于技巧,而是我们生活中的一部分;用艺术的眼光来看待生活,生活就更加美丽!”
很多家长都爱把孩子送到绘画班学画画,注重的只是绘画的技巧,画得越像越好;一旦孩子稍微用了一点自己的“创意”,家长总是斥责孩子的不对,导致孩子的创意受限制。
许棐杳是一名绘画老师,坚信艺术可以帮助很多人。有一天,绘画班里来了一位自闭儿,她没有把他拒之门外,反倒想尽办法发掘他的绘画潜能,让他内心的彩色世界反映在一张张的图画纸上。
许棐杳:培养正确人生观 绘画中体验生活
还记得较早前《南洋教育》报道赖美霞女士与自闭儿潘哲轩的故事吗?许棐杳(38岁)就是哲轩的绘画老师。
棐杳是两个孩子的妈妈,在接触哲轩之前,也曾教几位自闭儿绘画,可惜他们的父母都无法与她配合进行教导,所以学习的时间并不长。
“无论是成人、小孩或特殊孩子,学绘画不仅注重于技巧,行为态度也很重要,因为除了教导绘画以外,我也会灌输他们正确的人生观。对于特殊孩子,他们更加需要透过艺术的平台来发掘潜能。”
父母也更坚强
她明白每位父母都难以接受自己有个特殊孩子,有时她会反问自己:“如果我也有个特殊孩子怎么办?我应该如何教导他?养育普通孩子已不容易,更何况是特殊孩子?”当她看到美霞对哲轩所付出的那一份爱,她深受感动,决定尽自己最大的能力来帮助他们。
“从积极的方面来看,这是上天赐给父母一个学习的机会,他们体会了别人一生中可能也体会不到的经历,甚至比其他父母来得更刚强。”
先了解性格
每个孩子都有自己的强项,在某方面表现得不好,在其他方面可能会令大家眼前一亮。通常,她会先与孩子进行互动交流,了解其性格后才对症下药,找出适合他们的绘画种类。
“为了不浪费大家的时间和金钱,在孩子上课前会先向家长表明我的教学方式较自由,希望家长能够接受。至于特殊孩子,我会鼓励父母陪同孩子一起上课,因为老师与父母之间的配合是最重要的。”
她指出,家长必须敞开心房让她了解孩子在家里的情况,才有助于进行教导的工作;同时,也能帮助家长在家里引导孩子。
保持原创作品
“在两个小时的上课时间里,孩子必须思考要如何配色和构图。画图不一定要画到一摸一样,而是要尝试把它转变为自己的风格。我从不修改孩子的图画,尽量保持他们的原创作品。”
棐杳不是教导特殊孩子的专家,惟多年来与孩子相处的经验提升了其有关方面的知识;再加上透过各种相关书籍和朋友的经验分享,对特殊孩子的心理也有更多了解。
到柬埔寨教绘画
棐杳的爱心不只传给大马的孩子,她也把爱的种子散播到柬埔寨。当地孩子的生活困苦穷乏,缺乏工作机会导致每日三餐也是一大问题,而且也没有任何的手艺可以赚取金钱。
与学生和家长同行
在一次的机遇下,在柬埔寨街头闲逛的她发现了一间画室,里面挂满了小朋友的画作。经过一番了解,她得知该画室是由一位美国人成立,以慈善为主。透过他的帮忙,使她有机会到当地的画室和学校开办绘画班。
“我每年都会到柬埔寨三次,通常是选在学校假期的3月、6月和8月,每次会待5至10天。为教育孩子和家长,每次我会带他们同行,借此机会见识当地孩子的生活和环境。旅程的最后,每个人都获得心灵提升,并学会感恩和珍惜。”
开心的旅程
第一次到柬埔寨教绘画是2008年。除了在画室外,她也到当地的各校和孤儿院上课,老师和孩子都是她的学生。英语是她的教学媒介语,可是孩子听不懂,因此当地老师必须充当翻译员。
所谓“入乡随俗”,穿着旧衣服和拖鞋与孩子一同玩乐和学习,大家融为一体是最开心的事!颜料是她每次到柬埔寨的“手信”,因为当地卖得很贵;有时,她干脆把带去的衣物送给他们,自己两手空空的回国。
“这是一个开心的旅程,可以感染到从他们身上散发出来的喜悦,而且人与人之间的关系很亲密。当地的快乐磁场很强,虽然他们的生活贫困,但却很快乐;在那样的生活环境的条件下,他们知道自己没能力改变,只能够接受现实,愿意接受就能产生快乐。”
善心人士赞助学费
据她说,由于生活贫困,在柬埔寨仍然有70%的孩子没有上课,大部分的他们都是做一些农作活或家务事。农作活的薪水一个月大约是40美金至50美金(约150令吉至200令吉),不但收入不稳定,而且三餐也成问题。至于那些有机会完成学业的孩子就业率也不高,因为当地的工业发展不太理想,要找工作也不容易。
“当地的学费一年大约是40美金,因负担不起,唯有放弃学业。我会整理一些当地孩子的资料带回国,帮忙找愿意赞助他们就学的善心人士。”
她倍感欣慰的说,这项活动起初只有我一人在做,现在获得一大群朋友在精神和金钱上给予支持,令她深受感动。
“艺术对当地孩子而言是‘前途’和‘钱途’,除了发掘他们的才能外,也能把作品卖给游客,以赚取生活费。”
棐杳的画室挂满了很多色彩缤纷的画作,一问之下,原来那些画作是售卖作为慈善用途的,所筹得的钱将捐给柬埔寨的孩子。

Sunday, September 18, 2011

360celsius ~ 2011

  http://www.360celsius.com/creative/art-from-the-heart/ .


ART FROM THE HEART

An Interview with Artist Honey Khor

For this artist, painting is not just a passion. It’s a medium to reach out to those who are in need of a helping hand. Her goal is to give back to charity. She goes the extra mile to reach out to children with her knowledge of art.

The Malaysian artist Honey Khor graduated from the Malaysia Institute of Art (MIA) in 1995, where she majored in Fine Arts after completing her high school education in Penang. When asked about what made her become an artist, Honey with a wide smile on her face replied, “My heart told me to do so.” Her sincerity and passion was clearly evident on her face.
Besides being an artist, she also owns Honey Child Development Centre in Puchong and plays a part as an art teacher at the centre. With more than 16 years of experience in teaching art to children at her centre and various kindergartens in KL and Selangor, Honey is dedicated to keeping her art programs and lessons tailor made to her student’s need and temperament – a vital link in the curriculum.
Classifying her work as contemporary art, Honey’s paintings rarely transcend the humdrum making her work comprehensible and rational. She persistently refuses to submit to grimness. Her works are creative, full of energy and joyous. It’s brimming with hope and harmony. “I love colours and also patterns. Back in college, there was this lecturer who had issues with my style – she claimed I used too much colours. So, she tried to change my method; but little did she know that it was going to be really difficult to separate me from those elements. Personally, I think I was born with the love for colours and my joyful and care-free childhood further accentuated my love for it,” says Honey. “Sometimes, even when I’m a bit down, the colours that I use can seem a bit dull but there’s always colour!
Like every creative person, Honey’s creativity flows like a river. “My paintings tell a story. Even if it’s a plant, a flower or a butterfly, it’s all a part of me. My love for nature has influenced a lot of my work.” Honey who adores dragonflies also mentioned that the little fluttering insect takes her down memory lane, her childhood days. “Whenever I look at a dragonfly, it brings to live that little kid inside of me.”
“My best moment as an artist is when I sit in front of my canvas and paint freely with no worries. It makes me feel as if I’m a piece of art.”
From where does she get all that inspiration? “My inspirations come from every single thing around me. From all that I can touch and feel to the people I meet, they are in some way an inspiration. When I wake up in the morning, I always tell myself that I’m blessed with all that I have, and I’m grateful for this life and I am able to do something that I love to do. That’s just inspiring enough for me”!
This lady with a beautiful soul is a part of The Colors of Cambodia Project in Siem Reap. She offers her talents, knowledge, kindness and warm style of educating the children through art. “When I’m back in KL, my heart is always with those children in Cambodia. Just thinking about them makes me happy because although these kids live in poverty, they are very content with what they have. They take one day at a time, something a lot of people lack these days.”
Back home, Honey enjoys spending time with her two sons. While I was having a chat with her, she mentioned about her first attempt to teach her eldest son about art. “We were sitting at the table and I gave him a piece of paper and told him to do his scribbling on the paper. He knew his limits, where to scribble and where not to scribble. Later on, I actually gave him his own piece of wall in his room that he was allowed to scribble on.” According to Honey, he only scribbled once on the wall although he was given his full rights but then he came up to her and said that he didn’t like drawing on the wall. He wanted paper. I was sitting there thinking how lucky she is to have a son like that! For a moment, I felt sorry my parents. I was quite an artist as a kid!
As with her second son, she went through the same process – the table talk, the handing-over of his “personal space”. “Unfortunately, he worked his magic on the couch and the wall,” she mentions with a chuckle. “I didn’t want to limit their creativity although I had to repaint the walls and send the couch for a good cleaning. I just kept reminding him about his wall. We eventually made a pact with one another.” As a child, Honey claimed that she never used to draw on walls but she was into drawing on soil. “It was like a huge canvas! That was my personal space.”
“I love the way kids do their artwork. As adults, I think we ponder too much on things – we think too much about the rights and wrongs but these kids are like free birds. While we sit there worrying about colour tones and proportions, they’re just letting their emotions out and the purity in them that they convey through their art can’t be compared to anything else in this world.”
“The kids’ that I teach are like little Picasso’s. They do come up with the most amazing things at times and sometimes it seems like I can learn a lot from them,” mentions Honey.
As for Honey, painting is a what-I-see-is-what-I-get medium. There’s one stroke of the brush and her aspirations are there for you to see. “I like to take a closer look at things and I emphasize them in my art. For example, leaves and tree trunks have patterns on them but by taking a closer look, you will see something distinctive in it. There is definitely that one element in any creation that sets it apart from another. That’s how my art is. Each art carries a different message.”
“I started off with oil painting but I’m more into acrylic these days. When I’m practicing on my sketching, I use water colour, charcoal, and pencils. As an art teacher, I think I need to be versatile. I need to constantly brush up on my skills. Till today, I still believe that practice makes perfect. You can’t be a superstar over-night. Have the patience to work through things and you will succeed at whatever you do,” says Honey.
“When getting prepared to do an artwork, I recollect all the events in my life. I clear my mind and pick a topic I’d want to work on at the moment. My attachment with Cambodia is so strong that most of the time, my mind wanders to my experiences in Cambodia. I relive the memories by looking at photographs that were taken in Cambodia and I’ll start my sketches. As my artworks depict mostly on happiness, I never do continue working on them if I’m feeling the slightest bit down. It just won’t turn out right. When you work on something, you need to place your heart and soul into it.”
When asked about her love for art, Honey stated, “It’s always been in me that I can make a living by doing other things. It has always been impossible for me to make a living out of selling my artwork. When my art has gone on sale and someone purchases it, I want that art piece to remind that person about the kind deed that they have done. I want my painting to serve as a sign of gratitude right from my heart. It should serve its purpose as a constant reminder that you have helped provide for a child’s educational need.”
Giving back to the community in Cambodia, that’s the sole purpose for Honey. As for charity works, she has donated the proceeds from the sales of her artwork and the Cambodian children’s artwork to Colors Of Cambodia in order to provide a better future for the children in their country. She has also placed the paintings from her students back in KL for sale. These proceeds also go for charity.
How hard is it to be a full-time artist in Malaysia? “Believe me when I say that it’s really tough! I can’t just sit there and wait for exhibitions and people to buy my paintings. I’ll be a goner by then. I have to balance my life. I need to seek a living by doing my job as a teacher and at the same time, do my part for charity. I can place my painting in a gallery but most places charge a hefty price, a certain percentage from the profit goes to the gallery. As we’re doing this for charity, the earnings will not be sufficient. I have to pounce at every opportunity that I get to showcase the artworks. It’s a tough job but someone’s got to do it.”
“I admire the struggles that artists such as Van Gogh and Paul Gauguin have gone through. They are my inspiration. Times were hard for them and they only became popular after their death. At this age and time, we’re considerably lucky. With the help of media, be it print or online social media’s, word spreads like wild fire. But, at the end of the day, hard work plays a big part in our achievements. Luck plays a very small role. Then again, I love art. I think everyone has a talent in them. We all work hard to achieve our goals and it’s always nice to have someone appreciate your work.”

Star Metro ~ 2011

http://thestar.com.my/metro/story.asp?sec=central&file=/2011/6/25/central/8933284 

Artist holds solo exhibition at restaurant

By THO XIN YI thoxinyi@thestar.com.my

A PAINTING reflects the artist’s deepest feelings and thoughts, offering a glimpse into her inner world.
Aptly titled “Colours of My Journey”, Honey Khor’s solo art exhibition at Penang Village in Great Eastern Mall, Kuala Lumpur, invites visitors to follow Khor on her life’s journey.
The bright and colourful pieces injected a sense of playfulness and livened up the white and classy interior of the restaurant.
Happy time: The people featured in Khor’s paintings always have the corners of their mouths tilted upward
It was impossible not to smile along with the people featured in the paintings, who have the corners of their mouths tilted upwards.
Be it the sarong-clad woman pouring a ladle of water down her long hair, the family portrait of Khor and her two sons in her parents’ sundry shop, or the Balinese woman dancing in front of the Mother Temple of Bali, each of the characters in Khor’s paintings seemed to be very contented with their lives.
But not all her paintings told a happy story.
Two of her paintings — painted four years apart — depicted the change in her feelings towards motherhood and marriage.
The first one titled “Love” had a serene and smiling woman sitting cross-legged amid plants and flower, holding a newborn in her left arm and a cactus on her right palm.
Another took on a pessimistic approach, featuring a gloomy woman buried in the soil with only her head and neck exposed.
A bird was painted on her forehead while three other birds - each carrying a face symbolising Khor’s then husband and two sons - flying next to her.
Wanting to be free: This painting reflects Khor’s misery in having to set art aside for her family.
“I got married soon after I graduated from the Malaysian Institute of Art, and gave birth to my first son. I enjoyed motherhood and envisioned a beautiful life ahead.
“Since I was preoccupied with my family, I put painting aside and did not produce any artwork for a few years.
“In the second painting, I portrayed myself as a plant (the woman buried in soil) - I couldn’t move because I needed to nurture lives. But my mind wasn’t peaceful and I needed my private time to paint.
“It was then I realised that I wanted art to be present in my life. The bird on the woman’s forehead indicated my desire to fly,” Khor, 38, from Butterworth, explained.
Her sons are now 15 and 10, hence she has more time to pursue her love for art.
Five years ago, she chanced upon a yearbook, in which the younger her scribbled a wish to travel around the world.
“It’s the wish I had almost forgotten. To make this wish come true, I decided to go for my first holiday to Bali,” she said.
She recorded the local lifestyle and culture in her sketchbook as she travelled. Since the maiden overseas trip, she had been to Cambodia, Vietnam, China and Yogyakarta in Indonesia.
During her trip to Cambodia three years ago, she came across Colours of Cambodia, an organisation founded in 2003 to introduce the arts to the children in Siem Reap.
Besides volunteering to teach there two to four times a year, Khor had also organised two art shows to raise funds for the programme.
Other than the children, another pull factor that kept her returning to Cambodia was captured in a painting titled “Seam Reap in My Eyes”.
“The scenery there reminded me of my childhood, where we chased after dragonflies, frolicked in the river and catched ‘fighting fish’,” she said.
Nature played a huge role in Khor’s paintings. Trees, plants and dragonflies in bright hues and intriguing patterns were the evidence of her creativity.
Khor, who teaches art in a centre she established in Puchong, said the children’s innocence, sincere smile and imagination inspired her painting.
This exhibition also featured some of Khor’s sketches and watercolour paintings.
The exhibition is going on till July 11 at Penang Village, Lot 8 & 9, Level 3, Great Eastern Mall, 303, Jalan Ampang, 50450 Kuala Lumpur. Opening hours are from 11.30am to 9.30pm.For details, call 03-4257 1698.

"Transcend"

"Transcend" Oil on Canvas 120cm x 120cm 2019 The lotus. Emerges and rises from the mud . Untouched by the world . It embodie...